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In her capacity as Head of Development and Production at a regional screen agency, Sheryl backed this production – one of award-winning writer Jack Thorne’s earliest works. As an Executive Producer overseeing the investment, Sheryl supported the production creatively on set, dailies, in the cutting room and throughout post-production. The film premiered at the San Sebastian Film Festival.
Sheryl held the position of Executive Producer, where, appointed by Lionsgate UK she worked on the development of the screenplay with original writer David Ashton and subsequently Andrea Gibb, whom she sourced for a script polish. Sheryl was employed to support the production company, bringing both finance via Gold Rush Pictures and the Sales Agent, Protagonist …
In her capacity as MD of the Documentary Company, Sheryl boarded this project and worked as an Executive Producer. Working alongside Greenacre and New Black Films, Sheryl supported the production creatively throughout and financially through investment.
As MD of the Documentary Company, Sheryl came on board this project as an Executive Producer collaborating closely with Tiger Lily films and supporting the team creatively and financially. Sheryl reviewed footage and cuts and contributed to both creative and commercial strategy discussions. The film premiered at Berlin International Film Festival.
In her capacity as Head of Development and Production at a regional screen agency, Sheryl sourced and backed this international co-production with New Zealand. As an Executive Producer overseeing the investment, Sheryl supported the production creatively on set, dailies, in the cutting room and throughout post-production. The film premiered at Toronto Film Festival
In her capacity as Head of Development and Production at a regional screen agency, Screen East, Sheryl served as an Executive Producer on Stephen Poliakoff’s feature, working with the BBC. Overseeing all aspects of the production, script and financing, Sheryl supported the film creatively on set, dailies, in the cutting room and throughout post-production. The film premiered at …
In her capacity as MD of the Documentary Company, Sheryl boarded this project and worked as an Executive Producer. Working alongside Passion Pictures Producers, Sheryl supported the production creatively throughout and financially through investment. The film premiered at Sundance International film festival.
Sheryl served as the Executive Producer for New Sparta Productions. Sheryl read an early draft of Miss you Already and worked creatively with writer Morwenna Banks and Director Cathryn Hardwicke on script and production, throughout development, pre-production, and post-editorially, reviewing dailies, cuts, and inputting into commercial strategy. The film had its world premiere at Toronto.
As Executive Producer, Sheryl worked with Hanway films and Italian director Matteo Garrone, reviewing the script, providing notes (few needed on this one!) and overseeing the production and investment creatively for New Sparta Productions editorially throughout. The film had its world premiere at Cannes.
Sheryl produced Paul Morrison’s feature film debut, developing a dual Welsh/English language version of the screenplay with the writer-director. The film, set against the backdrop of a divided community in turn-of-the-20th-century Wales, was financed by S4C, Arts Council of Wales, Film 4, and other sources. It was picked up by Sony Pictures in the US …